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La Fuga re-invented (Intolerencia-Cultura-27/12/07 Journal)

Gift Christmas and end of the year.

As almost nobody reads newspapers these days, because the rest deputies, crime and organized crime also take their holidays. I will be brief, rather, Jorge Volpi will be. The current director of CONACULTA Channel 22 has returned to blogging with the company that introduced him to this world: Boomeran (g), the Latin American literary blog , owned by Prisa group, composed daily The Country and Santillana Publishing Group, among others.
Here is the address of your blog: http://www.elboomeran.com/blog/12/jorge-volpi
then fragments that can be read on his blog.
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The Garden 23. Idea

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require me to write about humanity, that mirage. A political historical essay about our shared misery. I do not know-or want-to know my neighbors. Individuals of our race we are born and die in isolation. Nothing unites us: only this truth with us.

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Why would an Iraqi girl hurt me in the desert?
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The Garden 24. Ana

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met Ana-just-saw when she was about to marry. With a friend or should I specify a new friend. Looked radiant and excited by the rush. I drank coffee with him, and she came to take him shopping: the arrangements and derangements of lovers. He greeted me warmly and left.

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There had been three months of the wedding, I was not required, when they had separated. A double espresso, double disaster. I never knew why. He and I drifted apart by pettiness that come to mind and do not dig deeper into his brief tragedy.

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A year later I gave a lecture on aphasia Toni Negri and democracy in the Faculty of Political Sciences and Ana I watched from the public. He worked as a reporter, I hoped, but had come prodded by my name. Do remember? Her lips and temple: of course.

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share the rest of the afternoon, take a drink, nothing strange, and I took a bland salsa club, but refused to dance with me, how fortunate. I walked her home at dawn, not far from Rio Churubusco, and that was it.

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We used to calling: I drew his urgency, his pluck, his voice hoarse. Although I hate the phone, let her speak of many things and no-family, the stupidity of politicians, and their passion for shoes, no time limit. Just decoding logic, the case was: it was perfect.

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In his department, and deserted white-empty museum gallery, I assumed his collection of water pipes. Then came the alcohol, cocaine, pills. His night tremors and panic that you might hold your room.

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I did not share his interests, I am a coward who never loses the sense-and I was amazed to see her go from crying to the sweetness of violence, the viewer only one of three acts of his drama. It took me a glimpse behind the dash and his rudeness, Ana suffered.

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One night he called me cowering in the closet: the haunted eyes fierce. I rescued her frozen body, kissed her eyelids and felt infinitely powerful. Ana gave me the joy of saving.
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The garden 25. Apostasy

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My Catholic father never took me to church, perhaps because they did not allow competition: he was the executor of the truth. Tired of a foreign world, took refuge in a few absolute convictions: family, God, the sacrifice. I enrolled in a religious school, which he had also attended, for the brothers to underpin its orthodoxy.

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a teenager suffered a brief outburst mystical read St. Thomas.

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-Pedant and maladjusted, "I crossed himself as he passed a church and closed our eyes to pornography traded my teammates. I figured apologist. Until I came across a collision Nietzsche, torture, and lost faith.

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Will I lose? Losing it does not exist? That was my sad rebellion, my felony: God is exalted, is buried. Save us or condemn anyone. The truth is an act of violence, guilt, a disease of slaves killed.

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A battle for life. Against my father. Against myself. And despite my blasphemy, I do not know if I won.
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Dear readers I wish a good new year. We are reading the next year, although Calderon and the entourage of deputies and senators swindle, insurance will be better.

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La Fuga re-invented (Intolerencia-Cultura-20/12/07 Journal)

The artist in forging an identity

Part 1 -

On Friday seven of this month we will Carlos Monsivais was in Puebla, as almost every year or every two years it has become customary, this time the place was the Amparo Museum Auditorium and reason: Frida Kahlo talk about , the great Mexican painter. The event was scheduled at 7:30, started a few minutes later, but with a full, clear, is Monsivais!

- Frida Kahlo
for Monsivais, "is one of the few characters that I will not say I was embedded in the collective imagination, where Of course this vast, but also in the emblem of the Nation and the Nation in the whole, not the Nation or the Nation historical tradition. Who would be in the twentieth century? Emiliano Zapata, Lázaro Cárdenas, Pancho Villa, Francisco I. Madero, all related to the power or resistance to power, Ricardo Flores Magon is extraordinary is that array, and Frida Kahlo and Diego Rivera are the two artists who have entered this vision constitutes what is undoubtedly the Nation, as represented in an era when the idea of \u200b\u200bnation or tends to decrease was disappearing. "

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"Frida is the image of public intimacy. Frida photos are now part of the work of Frida, because such is the power of legend, myth, the iconographic contingency that one sees photos of Frida and knows that the center of the pictures of Frida is not is there reflected, but has a strength such that gives the iconic aura photos, which is dazzling and Zapata frankly can only say that, but Zapata is the struggle of a people is to claim land, is the betrayed revolution (...) in the case of Frida is strictly the power of a woman who is confined to the suffering, not get caught in the idea of \u200b\u200bthe artist who painted the suffering, which gives life invalid, notable proportions of speed and change, and what could be variety of love, not promiscuity, that is an issue fraught with guilt traditionalists, but loving variety is what we all want " .

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works Frida, from my perspective, are unique, in them we find the existentialism and surrealism living together without any ideological or aesthetic problem. A Kahlo as many writers and artists, we owe a nation's identity. National Identity As I do not mean to stand in a foreign country when you see the Mexican flag or sing the National Anthem at the Azteca stadium playing each selection. I refer to this ability to respect our history and remember the events that have been formed (tragic and heroic few others) to avoid repeating them. National identity see it as something that reflects from the roots to the most banal and it is understood and valued by a Mexican and appreciated by a foreigner. Is to translate our ideas with a critical sense to our environment. It does not lose this ability to exercise our point of view without fear of being silent.

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The work of writers like Pitol, Del Paso, Poniatowska, and any operator as Vicente Rojo, apart from having a political and ideological to society, is to avoid memory loss. They, the cultural elite, should use his art to reflect its surroundings, no matter the artistic or ideological or interest to pursue, we all have come and we will continue to serve as what we are: a free and sovereign nation, where all it is not apathy to any event of national scope.

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Carlos Monsivais in his book The Hidden Inheritance (Debate, 2007), gives us an example, has devoted 372 pages to talk about those writers of our Mexican nineteenth century not only gave us a romance and very Mexican pre-realism and unique, too forjaron una Patria desde las filas liberales, algunos combatiendo con su pluma, otros más utilizaron las armas y algunos más hicieron uso de ambas. Pero siempre defendiendo sus ideales. Nuevamente son los creadores vinculados con el poder o contra el poder. Creo, ahí debe estar creador, siempre opinando y nunca callado.

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La Fuga re-invented (Intolerencia-Journal Cultura-13/12/07)

Una Antología heterodoxa
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La editorial Fondo de Cultura Económica hace no mucho saco un proyecto novedoso denominado: 2 en fondo. Según reza una de las solapas del libro el objetivo es: estimular la reflexión pública sobre asuntos de interés general en los albores del siglo XXI, el cual será conducted by specialized characters in literature, music, art, science and history, and that already have a first-rate intellectual work.

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is worth mentioning that this project stems from a conversation involving several friends and here Volpi notes that the Mexican literary map are few places where writers and critics can meet to discuss books, exchange ideas or write trials with both hands, As a result the author will not land (Alfaguara 2006), invited a group of authors to discuss topics ranging from politics to literature while over other areas such as history and art. An interesting exercise which will be released gradually by this publisher. And not me, says Ruben Gallo in the presentation of the book: Heterodox Mexican dialogued anthology. In this odd anthology Gallo, written by Ignacio Padilla.

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In this book we see, without a doubt, the hallmark of the Crack Generation , do something serious mischief and vice versa, to what they have dubbed as a joke seriously. On this tour the two authors talk about their literary passions in a very entertaining, are the author of the hand and invite to jump on a crackiana. It's a joke that stands as a tribute to their ancestors at the same time is a monument to ego.

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who approaches this book you can read texts in a playful little known or unknown to most, and recognized texts of writers in our literature and which are strangely surprising, surprisingly strange. Padilla and the idea is that the reader Gallo break with the classical perception of us here can be anthologized, but at the same time they reflect on the past, present, and perhaps even the future of our literature.

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anthologized authors and texts are:
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One: Martin Luis Guzman and Remington (1917).
Two: Luis Quintanilla and electric ears (1924).
Three: Salvador Novo and Guadalupe "the Chinaza" (1924).
Four: Federico Sánchez Fogarty and Toltec (1928).
Five: José Vasconcelos and Goebbels (1940). Six
Francisco Tario chicken and murderous (1943). Seven
: José Revueltas and Perez (1943). Eight
: Octavio Paz and the Maya (1973).
Nine: Barbara Jacobs and ruuma Zape (1982). Ten
: Crack and Francisco Villa (2000).
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The dynamics are as follows: the reader will find the unknown text and then comes a very interesting ramble, in which the writers speak of the impressions that were left the text, but also make a brief summary of the importance of the author and explain why this text has been regarded by them as heterodox, and every conversation ends with a communicating vessel that leads directly to the treatment of the next author with text.

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Among the findings that the reader will find in this book should read the discussion in which they arrive Gallo and Padilla, saying that the text of Barbara Jacobs, written in an invented language, is more strident than those made by Quintanilla , Maples Arce or Artzubide and we had to wait more than 60 years to read the first story written in a strident. Another discovery that gives this anthology is a story written by Revueltas influenced very Kafkaesque.

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Anyway, this is a book worth reading, besides being the first to come with a guarantee of quality: yes reading this book will not radically change its assessment of Mexican literature, we will refund your money his cannon.
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Two books very unruly.

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Finally and changing authors. The new image of the editorial UDLA, inheritance left by Pedro Angel Palou a prestigious university, has brought to light two real mini-books Knots Juan Gerardo Sampedro and Gabriel Wolfson Fund. Design of the collection is unique work of Germain Montalvo, which explains the stylistic brotherhood with the magazine has Revuelta. The publisher's address lies in Diana Jaramillo. Sampedro is prologue by Guillermo Samperio, while in the back pen appears to present Pedro Ángel Palou. It is certainly a nice edition to you as a reader should approach.

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La Fuga re-invented (Intolerencia-Cultura-06/12/07 Journal)

Six new ways of reading, according to Calvin. ---

Pedro Ángel Palou A, congratulations on their integration into the Sorbonne in Paris and in gratitude for his teaching and friendship .

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The Harvard University invited the June 6, 1984 to Italo Calvino to the chair of the Charles Eliot Norton Lectures Poetry . Is a series of six lectures that take place during the academic year of that institution. The term poetry in this case means all forms of communication poetic-literary, musical, pictorial, "and the choice of subject is free. Italo have given this chair from 1985 to 1986, but the finished structure their lectures and a week before leaving for Harvard , death came to take him on 19 September 1985.

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Esther Calvino recupera los textos que serían conferencias y las pública para el conocimiento de todos, ricos en contenido que hubiera sido un desperdicio dejarlos en la papeleta. Este ciclo que Calvino iba a dar se titula: Seis propuestas para el próximo milenio (Siruela, 2005). El fin era rescatar algunos valores, cualidades o especificidades de la literatura que él consideraba particularmente caros e iba a tratar de situarlos en la perspectiva del nuevo milenio. Al leer este libro uno asiste a un nacimiento de una teoría. Una manera distinta para analizar los textos más recientes. Una obra que por separado o en conjunto contenga: Levedad […1) A lightening of the language through which meanings are channeled by a verbal and weightless fabric, to acquire the same rarefied consistency, 2) The story of an argument or a psychological process in which elements act subtle and imperceptible, or a description that involves a high degree of abstraction and 3) a figurative image of lightness that charges a symbolic value, as in the story of Boccaccio, Cavalcanti jumping with his thin legs above the tombstone ...] Speed \u200b\u200b [... style and speed of thought mean especially agility, mobility, poise, all qualities that are in conformity with a script ready to ramblings to jump from one argument to another, lose the thread a hundred times and find it after a hundred twists and turns ...] Accuracy [... 1) design of work well defined and well-calculated, 2) the evocation of images sharp, incisive, memorable, in Italian we have an adjective that does not exist in English, "Icasto" Ekiautikós Greek, and 3) a language as precise as possible as a lexicon and an expression of the nuances of thought and imagination ...] , Visibility [... is a warning of the danger that lurks lost a fundamental human right: the ability to focus images closed eye visuals, to make colors and shapes sprout alignment black alphabetic characters on a white page, thinking with images. I think of a pedagogy of the imagination can we get used to control the inner vision and not suffocate without dropping the other hand, in a confusing, labile fantasize, but allowing images to crystallize into a well-defined, memorable, self- "iCast" ...] Multiplicity [... We have a unit that develops text and discourse with one voice and that is to be interpreted at various levels (...). We replaced multiple text the uniqueness of a thinking its multitude of subjects, voices, visions of the world, according to this model that Mikhail Bakhtin has called "dialogical" or "polyphonic" or "carnival" and whose background is in authors ranging from Plato Rabelais and Dostoyevsky. We have the work, eager to contain as much as possible, be unable to draw a shape and contours, and is incomplete due to constitutional vocation, as we have seen in Musil and Gadda. We work in literature corresponds to what in philosophy is not systematic thinking, which proceeds by aphorisms, by flashes punctate and discontinuous (...). Among the values I would like to be transmitted to the next major feature of this millennium: that of a literature that has made him a taste for mental order and accuracy, intelligence, poetry and at the same time science and philosophy (...). (...) I wish it were possible to a work conceived outside the self, a work of escape from the limited perspective of an individual self, not just to get into other selves like ours, but to draw out that which has no word, bird perches in the gutter, the tree in spring and autumn tree, stone, cement, plastic] and have a good beginning and a good ending , will last.

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As you can see is a necessary book with another tool to interpret the quality of a literary text and may venture to predict whether any work will last over time.

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The above proposals are used by Pedro Angel Palou García in the Crack Manifesto to define one of the literary views of this group of writers and featured in the book: Crack. User (Mondadori, 2004).

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La Fuga re-invented (Intolerencia-Cultura-29/11/07 Journal)

Buenos readers 2
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addressed Continuing with last week and close to Vladimir Nabokov. The author of Lolita says in the introduction to his European Literature Course (Ediciones B, 1987), but now the relationship between literature and the writer:
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Literature is invention. Fiction is fiction. Qualify a truthful account of history is an insult to art and truth. Every great writer is a great deceiver, as is the architramposa Nature. (...) The literary author you do nothing but follow the example of nature. (...).
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There are three points of view from which we consider a writer as narrator, as a teacher, and as charming. A good writer combines all three facets, but it is the charming and predominates makes him a great writer. (...).
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The three facets of the great writer, magic, story, lesson, tend to blend into a single unified impression of brightness, as the magic of art may be present in the same skeleton of the story, the marrow thought dry, clean, organized, resulting in us an artistic quiver as strong as it can provoke a novel like Mansfield Park or any torrent Dickensian sensual imagination. I think a good way to check the quality of a novel is, in essence, a combination of poetic precision and scientific intuition. To enjoy the magic, intelligent reader reads the book's great not so much with the heart, not with the brain, but rather with the spine. This is where the shaking occurs revealing, even when reading we should stay a little distant, a little detached. Then observe, with pleasure at once sensual and intellectual, how the artist builds his house of cards, and how that castle is turning into a castle of beautiful steel and glass.
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As presented here, no doubt, this book should be on our bookshelf, not only for the great introduction, aimed at bringing the reader to the idea that the author of Despair was about the craft of reading and write but also by the analysis that Nabokov made the following work: Mansfield Park Jane Austen, Bleak House by Charles Dickens, Madame Bovary by Gustave Flaubert , The Strange Case of Dr. Jekyll and Mr. Hyde Robert Louis Stevenson, for Swann's Way by Marcel Proust, Metamorphosis by Franz Kafka and of James Joyce's Ulysses. Unfortunately for all is a book and discontinued or at least difficult to come by, I have, not even mine, is a loan made to this writer by the author of Morelos, dying is nothing (Planeta 2007).
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Following this online reading and writing, in the eyes of the reader, read and write appears (Debate, 2002) VS Naipaul, Nobel Prize of Literature 2001 , in a brief but concise narrative is telling the reader may experience and he has had with the book. While passing by the private opinion that it is the work of the writer. The richness of this book is the ability to get the reader to delve into the experiences of Naipaul and endorsement. Common experiences, without much complexity.
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Naipaul demonstrates in these pages, a person of flesh and bone, who enjoys reading and loves to write. A book in which the writer Edge of faith, is naked before the reader, gives him his heart and says, look at me, this is me. Stripped of all masks.
Here's an example:
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In my fantasies of being a writer had no idea how to actually begin writing a book. I suppose, could not be sure-that this fantasy had a vague notion that once written the first book, others continue as if nothing had happened.
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discovered that it was not. Do not let the material. In those early days, each new book supposed to face the empty house once again and return to the top. The later books emerged as the first, driven solely by the desire to write, with an intuitive perception, innocent or desperate for ideas and materials, without fully understanding where they could take. The knowledge came to writing. With each book deepened knowledge and emotion, and it ended in a different form of writing.
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Each book represented a stage in the process of discovery was unique. My material-the past, separated from me also for the space was fixed, ended, there was nothing to add. This way of writing it had run out. He had reached the final after five years. My imagination for writing was like a blackboard full of doodles, deleted in some parts and clean at the end: tabula rasa.
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Naipaul and Nabokov, two authors who must read for anyone who starts his journey through the literature, but also for the reader who wants to enrich their personal library.

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La Fuga re-invented (Journal Intolerencia-Cultura-22/11/07)

Good readers

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Reading, listening to music, riding a play or a movie is a profession because, as Nabokov says in his European Literature Course (Ediciones B, 1987) who came to teach at Wellesley and Cornell: In reading, we look at the details, pet . Same sentence applies to writing a book or a dash of theater, music composition and direction of a film, not least of all the elements that form each discipline just to create a whole. But none of this would be worthwhile without an audience to which impact, need for interaction.

- Nabokov
During its course, made a small survey consists of ten points which students choose four to form the definition of a reader, here points:

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1. Must belong to a book club.
2. Be identified with the hero or heroine.
3. Should focus on the socio-economic.
4. Should prefer a story with action and dialogue to one without them.
5. He must have seen the novel on film.
6. Embryo must be an author.
7. You must have imagination.
8. You must have memory.
9. You must have a dictionary.
10. Must have some artistic sense.
- Nabokov
that most students went through the points 2, 3 and 4. But a reader complies with paragraphs 7, 8, 9 and 10. But certainly a good reader is one who rereads books, because the act of reading consists of a complex exercise that lies in the eyes to move all the time from left to right, this according to Nabokov, depth limits our understanding the meaning of the book. Just as with friends, you need a familiarity with the book to get to understand it completely.

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Later, speaking of two kinds of imagination that can have a reader, dixit: First, is the guy, very modest indeed, seeking emotional support is simple and purely personal nature. We feel with great intensity the situation described in the book because it reminds us of something that has happened to us or someone we know or have known. Or the reader appreciate the book mostly because it evokes a country, a landscape, a way of life that he recalls with nostalgia as part of its own past. Or, and this is what The worst that can make the reader identify with one character. The second possible imagination and Nabokov should be considered ideal, impersonal and artistic enjoyment. Must establish a harmonious balance between mind and art of the readers and the author. We must remain a little distant and enjoy this distance, passionately, with tears and trembling "of the internal texture of a particular masterpiece.

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As Nabokov asks readers know when and where to restrain the imagination, trying to elucidate the specific world the author puts at our disposal. Insists that we have the temperament to be a combination of artistry with the scientist. The reader should have passion and patience, passion and patience artist-scientist, to enjoy literature.

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Although the writer is advised not use writing as a method of psychological type and is projected as it is in the works, and as seems to believe Nabokov, the reader should not fall into the trap of complete identification. It is clear and I dare say that each player has one, maybe five or more books that are important in our lives, for that reason that critical Nabokov: the memory, evocation, the identification and perhaps the analogy or metaphor to make the regarding our life work. Or be the case that you, dear reader (s) has a personal library in which each book has a specific why a particular book does have the privilege of belonging and that is that as a reader, I think, we take care entering and no, the most private place passively, and troubled by demonic: the mind. And the book is perhaps the only place, despite Nabokov-where one is able to psychoanalyze, designed and to identify, serves as a friend and psychologist.

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There are readers who prefer contemporary classics, others go for the classics, no matter what they are saying the new voices, there will be those looking for a library supplied by all voices, currents, periods and styles, and some will read only important works as aesthetic criticism for a general background, but spend more time and passion in an author, because every book he creates in the reader the feeling : this book I could have written it. Each position is valid, provided they have a reason supported. After all it is read.

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La Fuga re-invented (Intolerencia-Cultura-15/11/07 Journal)

Red Memory of Fritz Glockner

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The author of novels such as paper Cemetery and Ship illusion presents its latest book: Memory Red, history of the guerrilla in Mexico from 1943 to 1968 . A work that after 25 years will see the light. The appointment is today at about 19:00 pm in the Baroque Hall Carolino building, headquarters of our maximum and luxurious Autonomous University of Puebla. The book jacket reads:
"There are hidden stories, which some characters would not want to dig ever. There are historians who reconstruct, deleted or ignored inconvenient facts, condemning them to oblivion. Memory red is the result of research that tells the other side of the story, that of the vanquished, in a time of modern history of Mexico in the there are still too many questions and blank spaces. Characters parade through the pages not considered by the so-called "official history": Ruben Jaramillo, Arturo Gámiz, Pablo Gomez, Genaro Vazquez, Lucio Cabañas and hundreds of trade unionists, students and peasants, whose struggles have disappeared from the annals of history. Memory red rescue folk heroes who have been at best, demonized by the official history of the country but mostly doomed to oblivion. This is a chronicle of the true champions of the people, without being raised to the level of heroes, martyrs and patriots have fought and died for social justice. A book Surprisingly, the result of a true and compelling research that reveals some of these gaps in the recent history of Mexico. "

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Journalists Alvaro Delgado Fernando Canales and Fritz Glockner accompany your comments.

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The invitation is made.

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X Conference on Research FFyL

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This Thursday at 9:30 pm in the classroom Severo Martinez of the Faculty of Arts of the Autonomous University of Puebla my friend Nicholas Daniel Abadie presents his research: "Proposals emerging. A Mexican approach to narrative (dis) located: the novel 'totalizing' the Crack and the 'art of return' of Pitol. " It's a shame it has to be an Argentine who has been encouraged to talk about Crack and its relationship to Pitol, whilst others by envy and jealousy or anger simply by opting for literary veto. This shows once again that what is done well in Mexico is valued outside this country than within.

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And on Friday 16 at 11:30 am my friend and teacher Roberto Martinez Garcilazo read his research entitled: "Manuel M. Flowers: paradigms of Romanticism. Life as a literary work. " A poet recently heard and valued in Puebla it comes to the rescue of what was a great poet and liberal character also recovered years ago by our historian and chronicler, Pedro Angel Palou Pérez.

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visibility and discourse. What you see and what is said in the novels of José Revueltas

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Paper to be presented on Friday November 23 at 19:00 pm in Prophecies, home reading (3 sur, 701, Center). The author is Frank Loveland and accompany him presenting the book writers Evodio Escalante and Pedro Angel Palou, besides the most prominent academic cervantes and with which account BUAP: Francisco Ramírez Santacruz.

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The announcement is made advance. They should not miss.

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La Fuga re-invented (Intolerencia-Cultura-08/11/07 Journal)

The Legend of Nahuala
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Mexican cinema has not been characterized for making animated films, perhaps one of the most recent film is A eggs, whose achievement was to make it suitable for whole family-even while still making the occasional joke in both directions, because, remember that Huevocartoon were created for an audience older than 15 years. However, on Thursday November 1 will see a film created for an audience of children, and therefore familiar, arguably the first with this kind of support. In addition to amuse the wizard approach it in a way peculiar to Mexican customs. And the Puebla Puebla we see a digitized and animated.
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will have to locate first in Puebla de los Angeles in New Spain (in the year 1807). At that Puebla was a boy named Nando, who will tell his brother Leo San Juan is a legend, which has its origins in an abandoned house that is possessed by the spirit of an evil witch named by the people as the Nahuala-who to get the soul of an innocent child can be resurrected and absolute power.
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The film which premiered this November 1, with scenarios clearly poblanos, will last 80 minutes in a traditional 2D animation format with a color process and digital assembly. Interestingly, the film comes with digital sound for cinemas: dts
The original story is by Ricardo Arnaiz, the writers are Omar and Antonio Garci Show. Animex, the production house, the production was provided by various government and private companies that sponsor-up a good thing.
- Martha Higareda
the voice of Xochitl, Andrés Bustamante gives life to Don Andrés, Jesús Ochoa Machorro portrayed Santos, Fray Godofredo was conducted by Germain Robles, Alebrije Library was given by Rafael Inclan, while Ofelia Medina is the Nahuala.
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is gratifying to complete almost the year with good news like this. Everyone has to go to the movies to support this film, which is a product made in Puebla Puebla. Rarely are things of this nature, and now we have a movie with plenty of quality and comprehensive effort in its creation we have to respond by filling the theaters throughout the duration of their projection in various venues around town. I already turned last Friday to attend a theater company located there in the Paseo de San Francisco.
- May
have visited the shrines of traditional Huaquechula and do not forget that Halloween goes against our traditions, as well U.S. being a degeneration of the pagan celebration of the ancient Celts celebrated for over 2000 years and that little or nothing to do with asking "for me calaverita" but everything to do with the dead. Until next week.
- Shooting Sentimentality

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the creators of The Legend of Nahuala: apiádense of this poor columnist and company and submit to us to Martha Higareda, Musa will be looking for one or more poems and more.

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La Fuga re-invented (Intolerencia-Cultura-26/10/07 Journal)

And there are those who talk of respect for power that caused
/ that if students were killed /
was because he won ...
Fernando Delgadillo, not forget.

Tlatelolco Centro Cultural - A 39-year
student movement of 1968-the massacre of students organized as some people claim by Diaz Ordaz while others may say that the only charge is Echeverría, the Rector of the UNAM Juan Ramón de la Fuente with the Governor of Mexico City, Marcelo Ebrard, on Monday inaugurated the Centro Cultural Tlatelolco with an investment of 60 million pesos, in that opening also made an appearance the writer Elena Poniatowska, the author of The Night of Tlatelolco (Era, 1971).
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The site is the former headquarters of the Ministry of Foreign Affairs , building designed by the renowned architect Pedro Ramírez Vásquez. The Cultural Center now has in its interior with a Unit Teaching and Seminar which will house classrooms for teaching computer courses, English, French and Italian, and from next year Chinese course. It also has a gallery , where he is currently the Library Blaisten -one of the most important collections of twentieth century Mexican art. The space of the gallery will be divided into two areas: one for the collection of 170 works, to be rotated according to various curatorial exercises, and the second will house temporary exhibitions and national and international. Finally, it has a 68 Memorial, the latter according to interviews Sergio Arroyo, director of the project, gave a different media, has a historiographical mounting a glimpse of the scope of social-political movement of those days; museum script curing the project was undertaken by the historian Álvaro Vázquez, this script will allow visitors to be contextualized in socio-political events that shook the country and other cities like Paris. There will also be a chronology of the student movement and the impact that existed at the political and social development of Mexico, and other similar movements occurred in other nations.
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With this new achievement Juan Ramón de la Fuente, Rector of the UNAM, continues to garner sufficient merit to be eligible for other positions, such as the Presidency of the Republic, of course it depends if you are willing to be candidate X or Y game. In addition to the forefront at the UNAM and send the message to other universities in the country to invest in cutting cultural issues, apart from lending prestige, is business.
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The next step is to make the October 2 officially appear on the calendars of our glorious country. It is an event that new generations should keep in mind, we must remember that spirit of unity and conviction that once had the youth of this country, that love for the other to the point of giving his life for pure ideals and common thinking beyond the present.
- Health
then. Patria o Muerte.

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occasionally Remember this little condottiere twentieth century.
"Che" farewell to her parents.

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again this humble pen, aspires to be grateful for the friendly and sincere reader, resurrecting from oblivion and rest. Change of spirit, because I identify with the escape: escape from side to side. Changes are always good, indicating the end and beginning of a cycle. The former was excellent. This must be equal or better.

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Of Anniversaries not included
I know it's late, but I get to talk about an anniversary not pleasant for many, after all one in the list, only that it is not in the business calendar but that is in the collective memory of those who are aware of and we still social and historical memory.

--- Last week 40 years were met the murder of Ernesto "Che" Guevara de la Serna . Most dare say that they are 40 years of his death, but he did not die, killed him! If a guerrilla libertarian discomfort to the United States government, a role model for young people of that time, someone who only looked for the equality of mankind and give voice to the oppressed, with those bullets removed from the Pistol Petty Officer Mario Terán, who was ordered by a certain Felix Rodriguez, who in turn was ordered by the president of Bolivia: Barrientos, became a Latin American hero and an icon worldwide.
The cunning of Ernesto Guevara was to understand, as they did in their time Hidalgo, Morelos, Zapata and many more, that major changes, at least in Latin America, came after an armed revolution. If Che alive today, surely Bush would have a big constant headache. ---

Today, unfortunately, that admirable character has become a mere image. The fault was not Korda, we have had us without any modesty, we dared to make a treasured image in a simple slogan of social struggles of youth snobbery (as David Banuelos said last Friday in his column The Bunker of Milenio Diario-Puebla ) without understanding the magnitude of it.

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We have not learned the lesson that history has tried to teach, understand the past, better understand your present and your future. ---

fleeting sentimentality in this long and deep silence befell too much.

- Pedro Angel Palou
the best writer poblano and one of the best in the country, no matter who likes it, he took the second play, Morelos die is nothing, his tetralogy of historical novels. The Metro published in the collection English and Latin American Authors . Also in recent days was the MSc. Sergio Pitol in Puebla to receive a tribute from the BUAP and UDLA. Event which was attended by Dr . Alfonso Montelongo (UDLA-P), Prof. . Alma Corona (BUAP), Lili Atala Garcia (UDLA-P), the writer, and of course with the Maestro. Sergio. The moderation was done by Israel Aguilar . Thanks to the media for covering the event, Nacho Padilla, Miguel Maldonado, Jesus Villegas and Daniel Alcántara by the trust and support provided. It was a resounding success.

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This return is with a dedication to my dear mentor and friend Pedro Ángel Palou , and Juan Carlos , the newest member of the Garcia family Godinez.

Im Pregnant But My Cervix Isnt Closed

At the moment this blog is in recess until the writer, re-publishing a column in a Journal of Puebla.
Thanks for reading.
with affection.
Fredo.